Over the past month or so I have collected the following references, I have read through the websites to get an overview of distortion techniques and proprties with my ideas stated at the end of this post. I also read through a portion of the books although there is a lot to get through so there is definitely still some information to be got from here.
Books
Floyd, T.L., Buchla D.M. (2010) Electronics Fundamentals. 8th ed.New Jersey: Pearson. Pp. 724 – 734
Self, D. (2006) Self On Audio. 2nd ed.Burlington: Elsevier (Ebook)
Self, D. (2010) Small Signal Audio Design. Oxford: Focal Press
Pease, R.A. (2008) Analogue Circuits. Oxford: Newnes
Penfold, R.A. (1997) Audio Amplifier Projects. Kent: PC Publishing
Marston, R.M. (1997) Audio IC Users’ Handbook. Oxford: Newnes
Hosken, D. (2011) An Introduction To Music Technology.New York: Routledge
Websites
GM Arts. (2009) Overdrive & Distortion. GM Arts [Online] [Accessed 17/10/2011] Available at: http://www.gmarts.org/index.php?go=217
Salminen, R. (2000) Cook Your Own Distortion. General Guitar Gadgets [Online] [Accessed 06/09/2011] Available at: http://www.generalguitargadgets.com/richardo/distortion/index.html
Aubuchon, V. (2011) Musical Note Frequencies. Vaugn’s-1-Pagers [Online] [Accessed 10/09/2011] Available at: http://www.vaughns-1-pagers.com/music/musical-note-frequencies.htm
Hunter, D. (2008) Effects Explained: Overdrive, Distortion & Fuzz. Gibson [Online] [Accessed 28/08/2011] Available at:http://www.gibson.com/en-us/Lifestyle/Features/effects-explained-overdrive-di/
Orman, J. (2011) AMZFX. AMZFX [Online] [Accessed 07/09/2011] Available at: http://www.muzique.com/
Keen, R.G. (2000) DIY Stomp Boxes. DIY Stomp Boxes [Online] [Accessed 10/09/2011] Available at: http://www.diystompboxes.com/smfforum/
Elliot, R. (2006) The Audio Pages. Elliot Sound Products [Online] [Accessed 10/09/2011] Available at http://sound.westhost.com/articles.htm#s6
Holler, D. (2011) Articles and Schematics. Run Off Groove [Online] [Accessed 17/10/2011] Available at: http://runoffgroove.com/articles.html
Marossy, P. (2009) Some Guitar Pedals I Have Built. DIY Guitarist. [Online] [Accessed 17/10/2011] Available at: http://www.diyguitarist.com/DIYStompboxes/MyStompboxes.htm
Subsequent Ideas
Use op amp and transistor sockets for easy swapping in case of failure.
Power supply must be bi-polar for op amps, this is normally carried out using biasing. Alternatively there are power supply IC’s available.
Tone controls might best be carried out using Sallen & Key Filters.
A level control in the feedback loop will alter the roll off frequency of the op-amp, it is much better to use a variable resistor where the resistance control is the output.
The above creates a filter so using a large value capacitor is a good idea to eliminate any frequency alteration.
Design a switch to alternate between germanium and silicon diodes for soft/hard clipping.
LED’s make for much softer/subtle clipping
This type of pedal normally includes a high frequency cut due to the non liniarity
Capacitor used in power supply is used to maintain the voltage in changing conditions, as a kind of storage device. This is called a decoupling capacitor
Use sub-circuit tool in Multisim to make design look more simple and easy to explain, time permitting.
Use Multisim reports to print component details, equipment list etc
Integrated Circuit capable of frequency multiplication and voltage regulation could be very useful tools in this system, simplifying the in depth design process.
It might be better to use a pre-manufactured 240V adapter which includes voltage regulation so I can concentrate completely on the signal manipulation, this should also give a smoother supply voltage.